It’s A Small World After Monsanto Et Al: 3 Squares
In which i get a GM tomato, and Enclosure becomes personal.
Yep yep. All Hell Breaks Loose, in stop motion. America! Your clue: if you haven’t drawn a line and chosen a target, you are already on the wrong side of the chalk with a red dot or two tracking your hat-holder. You look like shit, BTW. I thought this was going to be so much harder, but here we are.
“Tout de suite apr�s, il me raconta son s�jour en 1957 � Cuba o� il avait rencontr� Hemingway ne jurant plus d�sormais que par les anarchistes. Cependant, c’est dans cette maison de San Francisco de Paula que Bill obtint de son h�te de pouvoir voir sa copie de Terre d’Espagne, le film hyperstalinien que celui-ci avait tourn� avec Joris Ivens en 1937. �Malgr� le message, �a tient le coup, m’assura Bill. Et puis, sur la p�riode, que nous reste-t-il?� M’emp�chant de lui parler de Diego Camacho, je l’invitai � m’en dire plus sur l’auteur de Pour qui sonne le glas?
~[at this point two (2) of the Spanish Earth vids were inserted, not the simple playlist with all 6 (six)]~
�Il �tait tr�s hospitalier, tr�s g�n�reux, il payait partout. Et en mer, quand on est sortis p�cher le gros, il tenait bien sa place. Seul probl�me, il voulait toujours �tre le meilleur. Du coup, il tentait le diable. Et apr�s il la ramenait. Mais il avait la classe. Il avait lu une de mes nouvelles et m’en avait parl�. J’ai connu peu d’�crivains, je parle de ceux qui ont d�j� un pied dans la renomm�e, qui se souciaient ainsi de leurs cadets. Vous devriez aller � Cuba. Faut toujours voir l’int�rieur des �crivains!�
At once after , he me gossip her living room at 1957 at Cuba where he had meet Hemingway ne jurant anymore from now on as by the anarchists. However , is in that dwelling house about San Francisco about Paul as Billiards achieves about her host about may behold her copy earthen of spaces , him film hyperstalinien as which ci had off with Joris Ivens at 1937. �Malgr� him message , thanksggiving holds him bash m’assura Billiards. And then , about the period , as ourselves remainder t – he? � M’emp�chant about her refer to Diego Comrade , I the invitation at m’en put anymore about the author about For thanksggiving blares him knell?
�Il was greatly hospitable , greatly free , he due all over. And on the sea , when on am out fish him big , he held all right her seat. Alone issue , he voulait always be best. Any bash , he tentacle him devil. And after he her bring back. But he had her class. He had lu a about my news and m’en had talk. I knew little d’�crivains , I talk about which drove already a foot at her fame , thanksggiving herself souciaient like this about their cadets. You will have to fit Cuba. Blame always behold the interior any writer! � 4
Immediately after, he told me his stay in 1957 in Cuba where he had met Hemingway not swearing more from now on but by the anarchists. However, c’ is in this house of San Francisco of Paula that Bill obtained from its host to be able to see his Ground d’ copy; Spain, the film hyperstalinien that this one had turned with Joris Ivens in 1937. ?In spite of the message, that holds the blow, m’ Bill ensured. And then, over the period, which us does it remain?? M’ preventing of him to speak about Diego Camacho, I l’ invited to m’ in saying more on l’ author of For whom rings the knell? ?It was very hospital, very generous, it paid everywhere. And at sea, when one left to fish the large one, it held its place well. Only problem, it wanted to always be the best. Blow, it tried the devil. And after it brought back it. But it had the class. It had read one of my news and m’ in had spoken. J’ knew d’ little; writers, I speak about those which have already a foot in the fame, which was concerned thus with their juniors. You should go to Cuba. Is always necessary to see l’ interior of the writers!
[Overlapped the third and fifth movements of Reggi’s 1982 travelogue, worked out better than Dark Side? with “Under The Rainbow” or w/e crunchy myth… Brother Orange does a nice Broddy-cum-tango, makes both stunts for the irony layers.]
Godrey Reggio directed, cinematographer and editor was Ron Fricke, Philip Glass did the soundtrack. This is half of the middle third of one of three (1:3) film studies of human experience that are worth watching in entirety. Text at close explains the title of this 1982 masterpiece.
Koyaanisqatsi
ko-yan-nis-qatsi (from the Hopi language) n. 1. crazy life. 2. life in turmoil. 3. life out of balance. 4. life disintegrating. 5. in a state of life that calls for another way of living.
Translation of the Hopi Prophecies Sung in the film:
“If we dig precious things from the land, we will invite disaster.”
“Near the Day of Purification, there will be cobwebs spun back and forth in the sky.”?
“A container of ashes might one day be thrown from the sky which could burn the land and boil the oceans.”
Enclosure is most often glaringly apparent in agriculture, where it springs at the individual and community alike; it’s hydrae-headed avarice greedily puncturing all targets on any level with amazingly audacious lethality.
“Enclosure of all things food by the transnational agrichem Combine.
Hey EduTainers! noticed some people spreading this around, good good, way it should be. Just letting one and all know that the full, intact and higher rez version is still up at Google:
Sex, Drugs, & Third-Wheel Politics 